General presentation

1220 – 2020: “The Good Lord’s Lantern” – 800 years of light

God’s lantern has been shining on Metz for 800 years!

The project to build the cathedral as we know it began in 1220 under the impetus of bishop Conrad de Scharfenberg. This led to the publication of a papal bull on 2 December 1220: in it, Pope Honorius III authorised the bishop of Metz to raise funds for ten years for work requiring “heavy expenditure”.

The monument in fact encompasses two buildings: the cathedral and the Collegiate church Notre-Dame-la-Ronde, built around 1186 and redesigned to fit into the ensemble. The two towers of the cathedral mark the junction between these two churches. The portal of the Virgin, the current entrance to the cathedral, was one of the portals of Notre-Dame-la-Ronde. Conrad de Scharfenberg chose to build the cathedral in the Gothic style, which had been in full expansion in France and Europe since its appearance a century earlier. Jaumont stone, mined in the vicinity of Metz, was used for the entire monument, giving it its characteristic golden glow.

The imposing cathedral was not completed until three centuries later, in 1552, due to financial and political difficulties that led to an interruption in work on the site.

Metz Cathedral is an exceptional building and represents the “culmination of Gothic art”, according to one of its many architects, Pierre Perrat. Respecting the principles of Gothic architecture, its spire and its 41 metres in height give it the appearance of soaring skywards. It is the tallest cathedral in France, along with the cathedral in Amiens.

Nicknamed the “the Good Lord’s Lantern”, Metz Cathedral is characterised by approximately 6,500 m² of stained glass windows, which makes it one of the most glazed buildings in the Christian world. In France, Chartres Cathedral, which is renowned for its stained glass windows, only counts 2,600 m². Metz Cathedral contains stained glass windows from every era, from the thirteenth century to the twentieth century. We can admire the works of famous glass craftsmen like Hermann de Münster (14th century), who created the west window, Théobald de Lixheim (16th century) and Valentin Bousch (16th century), considered to be the greatest glass painter of the Lorraine Renaissance. After the Second World War, many of the cathedral’s stained glass windows were destroyed and several artists were called upon to decorate the new stained glass windows. Jacques Villon, Marc Chagall and Roger Bissière were all involved and their work added a contemporary touch to the building.

A detour to the crypt of the building allows you to observe the final treasures of the cathedral. Among them, it would be hard to miss the Graoully, a fantastic beast that is closely linked to the history of Christianity in Metz.

To learn more about Metz Cathedral:

• https://metz.fr/lieux/lieu-42.php
• https://cathedrale-metz.fr/
• http://www.tourisme-metz.com/fr/les-incontournables-de-metz.html#.XXZvAigzaUl

With more than 700,000 visitors each year, it is the most visited building in the Grand Est region and the flagship for cultural events in Metz and the region. For Metz, it is a symbol that is both spiritual and political, of architecture and heritage, of land and identity.

That is why a large number of partners are actively involved in this exceptional project to celebrate this anniversary with force and talent: the Prefecture of Moselle and the DRAC Grand Est, the diocese of Metz, the City of Metz, Metz Métropole and the Inspire agency Metz, the Departement of the Moselle and Moselle Attractivité and the Grand Est region, surrounded in particular by the Cité musicale-Metz, the Centre Pompidou-Metz, the Musée de la Cour d’Or, the CIAV of Meisenthal and many other partners and patrons.